jordicolletmusic.com

A grand theater stage with a black grand piano at center, dramatic stage lighting, and empty velvet seats beyond.

Jordi Collet
música i espai sonor

Composo bandes sonores originals per a teatre, creant paisatges sonors que dialoguen amb l’escena i acompanyen cada gest, llum i silenci per aprofundir la narrativa.

Explorar el portafoli ara

Sobre Jordi Collet, compositor teatral

Trabajo con compañías y directores para traducir la dramaturgia en sonido, desde la primera lectura hasta el estreno, cuidando ritmo, texturas y la emoción de cada escena.

A close-up, cinematic photograph of an elegant mixing console in a professional recording studio dedicated to theater soundtracks. Dozens of backlit faders and knobs glow in soft blues and ambers, their brushed metal surfaces catching subtle highlights. A large, curved screen in the background shows an abstract waveform and timeline, slightly out of focus, suggesting complex audio editing without readable text. Warm, focused overhead lighting creates a cozy, contemplative atmosphere, leaving the rest of the room in gentle shadow. The composition uses a shallow depth of field from a low, diagonal angle following the line of faders, inviting the eye to travel along the surface. The mood is meticulous and sophisticated, evoking the precision and emotional depth required to sculpt music that breathes life into a theatrical narrative.
A moody, photographic overhead view of a polished wooden rehearsal table in a dim theater backstage. Spread across the surface are a spiral-bound musical score with dense notation, a pair of closed, over-ear studio headphones with soft leather cups, a compact MIDI keyboard controller, and a small portable audio recorder. A stage lighting gel in deep indigo rests nearby, adding a hint of theatrical color. A single, warm desk lamp pools golden light over the score, leaving the surrounding black stage floor and coiled cables to dissolve into darkness. Shot from a straight-down bird’s eye perspective with crisp focus, the composition feels deliberate and organized. The atmosphere is quiet, intellectual, and introspective, capturing the private, creative space where a theater soundtrack begins to take shape before reaching the stage.
A wide, photographic shot of an empty, contemporary black box theater transformed into a recording space for a theatrical soundtrack. At center stage sits a cluster of musical instruments: a dark mahogany cello resting on its side, a classical guitar on a simple metal stand, a small analog synthesizer on a minimalist table, and several slender microphone stands poised around them. The matte black walls disappear into shadow, while a few focused stage spotlights create pools of soft white light that carve out the instruments with gentle rim lighting. The floor shows subtle scuffs and tape marks, hinting at past performances. Captured from the back of the space at eye level with moderate depth of field, the mood is contemplative and cinematic, emphasizing collaboration between acoustic and electronic sound in service of theater.
A dramatic photographic close-up of an illuminated theater sound desk positioned at the rear of a dark auditorium, tailored for live playback of an original stage soundtrack. The control surface bristles with small screens, color-coded faders, and glowing buttons, framed by coiled, neatly organized cables and a pair of compact studio monitor speakers. Beyond the console, out of focus, faint stage lights reveal the suggestion of a set and hanging curtains at the far end of the hall. Cool blue and soft amber LEDs from the desk are the primary light source, casting intricate reflections on the metallic edges. Shot from a slightly elevated angle with selective focus on the central faders, the atmosphere is tense yet refined, capturing the technical heart that shapes every emotional beat of the performance.
A serene, photographic scene of a minimalist composing corner inside a theater’s backstage area. A slim, dark wood desk holds a laptop with a large, abstract arrangement window on screen, a compact 61-key MIDI keyboard, and a pair of matte black studio monitors angled inward. Next to the keyboard lies a small stack of handwritten cue sheets with visible musical notation but no legible text. The rough brick wall behind is covered with pinned lighting plots and color swatches, softly blurred. Overhead, a single industrial pendant lamp casts warm, focused light on the desk, leaving the edges in gentle shadow. Shot from a three-quarter angle at eye level, the composition feels balanced and orderly. The mood is thoughtful and sophisticated, evoking a composer shaping soundscapes that respond to the evolving needs of the stage.
A rich, atmospheric photograph of the side wings of a traditional theater during a technical rehearsal for a new soundtrack. In the foreground, several microphone stands, an open flight case filled with neatly coiled cables, and a sturdy audio interface atop a rolling rack hint at complex sound design. Beyond, the stage is partially visible through heavy, black velvet curtains, with abstract set pieces and soft, colored wash lighting in amber and deep blue. A faint haze in the air catches the beams of light, creating visible shafts that lead the eye to the stage. The primary illumination comes from side stage work lights and dimmed overhead fixtures, creating a layered chiaroscuro effect. Captured from a low, diagonal angle with moderate depth of field, the scene feels immersive, tense, and alive with unseen collaborative energy.
An evocative, photographic macro shot of a well-used string section setup prepared specifically for a theatrical score recording. The image focuses on the rich, honey-toned wood of a violin resting on a dark, padded chair, its varnish showing subtle wear and fine scratches. Nearby, a soft, rosin-dusted bow lies across a black music stand filled with complex notation, intentionally too blurred to read. In the background, a large-diaphragm condenser microphone hovers, slightly out of focus, suspended from a boom arm. Warm, directional studio lighting from the side skims across the curves of the instrument, bringing out deep shadows in the f-holes and bridge. Shot with very shallow depth of field, the composition feels intimate and reverent, emphasizing the tactile, emotional connection between acoustic instruments and theatrical storytelling.

Servicios

Ofrezco composición original para montajes teatrales, adaptación musical de textos, diseño de paisajes sonoros, arreglos para banda o ensemble en directo y asesoría creativa en el tratamiento del sonido escénico.

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Su música hizo que la obra respirara; cada escena encontró una nueva profundidad emocional.

— Aya Nakamura

Próximos estrenos escénicos

5 abril 2026

Teatre Principal

Barcelona, ES

Ver detalles

10 abril 2026

Teatre Lliure

Gràcia, BCN

Ver funciones

17 mayo 2026

Teatre Nacional

Glòries, BCN

Ver calendario

12 abril 2026

Teatro Principal

Barcelona, España

Próximo estreno

3 mayo 2026

Teatro Lliure

Montjuïc, BCN

Escuchar fragmento

24 mayo 2026

Teatro Nacional

Poblenou, BCN

Escuchar banda

19 abril 2026

Sala Principal

Barcelona centro

Ficha obra

10 mayo 2026

Sala Lliure

Barcelona ciudad

Gira actual

Junio

Sala Petita

Barcelona, teatro

Proyecto completo

Visítanos

Calle Ejemplo, 1Cádiz, Andalucía 11001

Horas

Lunes a viernes, mañanas

Teléfono

(123) 456-7890